The second of the three Merchant/Ivory films adapting E.M. Forster novels
(between A Room with a View and Howard's End),
Maurice deals with a theme few period pieces
dare mention--a young man's struggle with his homosexuality.
It's not just a gay coming-of-age story, however.
The hero wrestles with British class society
as much as his personal and sexual identity.
The film opens on a stormy, windswept beach,
as an older man awkwardly instructs young,
fatherless Maurice Hall (James Wilby) in the "sacred mysteries" of sex.
The same turbulent, wordless struggle with passion lasts throughout
this slowly evolving, beautifully filmed story.
Novelist E.M. Forster's brainy,
British melodrama hinges on choice and compulsion,
as the pensive hero falls for two completely different men.
First comes frail, suppressed Clive (Hugh Grant),
who wants nothing more than classical Platonic harmony...
and a straight lifestyle.
(Grant's performance is so convincing, one wonders how he ever became a heterosexual sex symbol.) After Clive's wedding, Maurice turns to hypnosis to cure his unspeakable longings. Unfortunately, his "cure" is interrupted by Clive's lustful, brooding, barely literate gamekeeper Scudder (Rupert Graves), a worker more at home gutting rabbits than discussing the classics. Maurice's love for a "social inferior" forces him to confront his illicit desire and his ingrained class snobbery.
Actors: James Wilby, Rupert Graves, Hugh Grant, Denholm Elliott, Simon Callow
Directors: James Ivory
Writers: James Ivory, E.M. Forster, Kit Hesketh-Harvey
Producers: Ismail Merchant, Paul Bradley
Studio: Merchant Ivory
DVD Release Date: February 24, 2004
Run Time: 140 minutes
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The difference between fiction and reality? Fiction has to make sense, and fiction is the truth inside the lie,
There was never a good biography of a good novelist. There couldn't be. He is too many people if he's any good. To understand reality is not the same as to know about outward events. It is to perceive the essential nature of things and imagination is the living power also prime agent of all human perception.
The heart has its reasons which reason knows not of.
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